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Drawing Portraits, by Douglas R. Graves
Download PDF Drawing Portraits, by Douglas R. Graves
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Achieving a likeness in portrait requires close coordination of the hand and eye; Douglas Graves, a professional portraitist, has developed this basic premise into a functional technique. He describes portraiture as an evolving process: observing the basic surface shapes, discovering how these features deviate from the symmetrical ideal, envisioning the underlying human anatomy, interpreting the sitter’s personality, then conveying all this with a direct medium in a tonal drawing.
Mr. Graves begins with a list and discussion of the necessary materials—compressed and vine charcoal, chalk, Conte, graphite pencils, papers, erasers, and fixative. He next focuses on the single most important element of the portrait—the sitter’s head. He examines the overall bone structure of the head, it’s proportions and planes, and the structure of the individual features—the eye, nose, neck, ear, and mouth. Of course, portraiture often includes the hands, and so Mr. Graves devotes another chapter to the bone structure, muscle, and proportions of the hands. In subsequent chapters, he considers common portraiture problems: lighting the sitter, reflections and shadows, composing the portrait with one or more figures, the most effective views of the head, and positioning the head and the hands in relation to each other and to the body.
After these preliminary instructions, Mr. Graves proceeds to analyze and illustrate how to actually draw the individual elements of the portrait. Eight projects offer step-by-step demonstrations of front, side, and three-quarter views of the eye, nose, mouth, ear, and hand. Also included are demonstrations of drawing a plaster cast of the head, the torso and arm with drapery, and various hair textures and colors.
In the succeeding ten projects, Mr. Graves develops complete portraits, demonstrating his technique step by step. He covers a wide range of subjects and media: a woman, child, and man in charcoal; a woman, teenager, and older man in pencil; a woman and man in chalk; a mother and child, and a full family group in Conte. Mr. Graves also supplements his technical instructions with some advice about drawing from photographs, using unusual or offbeat poses, and the question of flattery.
Drawing Portraits is simply yet engagingly written, with over 260 black and white illustrations. Artists, beginning and advanced students, and teachers will find Mr. Graves’ technique of portraiture clearly and logically presented and a solid basis for developing a personal style.
- Sales Rank: #720807 in Books
- Brand: Brand: Watson-Guptill
- Published on: 1983-04-01
- Released on: 1983-04-01
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .45" w x 8.20" l, 1.11 pounds
- Binding: Paperback
- 160 pages
- Used Book in Good Condition
About the Author
Douglas R. Graves was born in Denver, Colorado. He began his art education in California, at Los Angeles City College, and continued his training at the American Academy of Art in Chicago. After graduation, he became an instructor of figure drawing and illustration at the Academy. Mr. Graves now make his home in Riverside, California. He is presently associated with Portraits, Inc. in New York City. Mr. Graves also does illustration and has worked on books in the Basic Reader Series for Scott Foresman and Co. Mr. Graves' paintings, which include a wide variety of subjects, as well as commissioned portraits, are found in many private collections in the United States, South America, and Europe. His work has been exhibited in numerous shows both here and abroad and has won him many honors.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Very, very helpful... and fun !
By 5/0
“Drawing Portraits” by Douglas R. Graves
This is the first of two books Graves wrote on the topic of doing portraits. They are both quite good and very, very helpful.
In this book he begins with a lot of good data about the structure of the human head and face and provides detailed (and very good) instruction on how to draw GENERIC facial features. He included tips about lighting and posing subjects plus commentary on drawing hands etc. often used a part of portraits. Then he moves to exhibiting the production of generic portraits in an assortment of media.
His second book (“Drawing a Likeness”) addresses the task(s) involved in drawing portraits of SPECIFIC people – from photos.
17 of 18 people found the following review helpful.
A Great Refresher
By James A. Henderson
This book was an excellent refresher for me, relearning how to draw after a thirty-five year hiatus. An instructor of a portraiture course I recently completed led me to the book, and it was a very strong guide in my return to portrait sketching.
- Marty
4 of 6 people found the following review helpful.
Good resource book
By sadhana girl
This book shows how to draw features really well. It is a drawing book and he describes pencil or charcoal drawing techniques. Since I am a painter I would like to have had some of the features shown with brush strokes.
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